KNIGHT GROUP A

You're in a wide, bright room with beaten copper walls. The ceiling is a frosted glass dome etched with leaves and thorns and flowers.

There's a table with some sheets of paper and a brilliant red quill pen with a very sharp, fine tip; it's only warm to the touch, but that tip scorches words into the paper rather than using any ink. Testing it on your skin might not be wise.

Another copper bird sits on the table with the papers, and serves as the quill stand.

((HEYLISTEN MAKE IT THREE SCENARIOS FOR PART TWO, INSTEAD OF FIVE))

KNIGHT GROUP B

You're in a wide, bright room with beaten copper walls. The ceiling is a frosted glass dome etched with leaves and thorns and flowers.

There's a table with some sheets of paper and a brilliant red quill pen with a very sharp, fine tip; it's only warm to the touch, but that tip scorches words into the paper rather than using any ink. Testing it on your skin might not be wise.

Another copper bird sits on the table with the papers, and serves as the quill stand.

((HEYLISTEN MAKE IT THREE SCENARIOS FOR PART TWO, INSTEAD OF FIVE))